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Non-Malagasy

Referring to something or someone that is not of Malagasy origin, nationality, or culture. This term encompasses individuals, objects, or concepts that originate from outside Madagascar and do not possess characteristics considered to be inherently Malagasy. It broadly contrasts with the indigenous Malagasy people and their traditions. This can apply to a person's ethnicity, their language, their ancestry, or any aspect of their life, like their food preferences, or their political ideologies. The term highlights the distinction between what is considered native to Madagascar and what stems from elsewhere in the world.

Non-Malagasy meaning with examples

  • The cultural exchange program aims to introduce Malagasy students to diverse perspectives, including those from Non-Malagasy backgrounds. Participants will learn about different countries, from a Non-Malagasy instructor teaching about European history. The students will participate in activities designed to broaden their understanding of the world, promoting a greater appreciation for cultures beyond their own and to create more cultural tolerance.
  • The restaurant offered a menu featuring both traditional Malagasy dishes and Non-Malagasy options, such as Italian pasta and sushi, to cater to a wider range of tastes. The restaurant also hired a Non-Malagasy chef to bring in new ideas to enrich their menu, as well as bring new cooking techniques that would improve the food quality. The diverse menu was a sign of the restaurant's appeal to both locals and tourists alike.
  • The historical documents revealed trade relationships between the Malagasy people and Non-Malagasy merchants from various regions. These Non-Malagasy traders brought goods and commodities that helped Malagasy people to grow in wealth. The discovery underscores Madagascar's early interaction with the outside world, shaping the country's development in numerous respects. Many Non-Malagasy traders would settle in Madagascar and start new businesses.
  • The art exhibit showcased a blend of traditional Malagasy art alongside contemporary works created by Non-Malagasy artists. The goal was to inspire creativity from a Non-Malagasy influence while still upholding Malagasy principles. The juxtaposition highlighted the influences of the island's environment and the world's diverse array of art styles. It allowed for both artistic inspiration and an appreciation for different artistic styles from different cultures.
  • The discussion about the country's politics often involved both Malagasy citizens and Non-Malagasy observers, such as expats or international experts. These Non-Malagasy individuals provided insight into the political sphere and their thoughts on how the country can improve. These observers provided their thoughts on the country's governance and future. Their presence highlighted the global context of the political landscape and how to improve relations.

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